The runestones of Medelpad

I have been back from Sweden for a while now, but hadn’t got round to sorting through my runestone photos yet. The reason, though, is a good one – I just finished a first full draft of my PhD thesis. Now I’m getting round to looking through all the photos I took in Medelpad, and want to share some of the beautiful local runestones with you. I’m giving the signum for each stone, so those readers who are inclined to learn more about them, can look them up in the Scandinavian Runic Database or use the Swedish wikipedia – and the soon-to-be-published scholarly edition of the runic inscriptions of Medelpad, not to forget.

This is M 1, from Nolby:

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M 2, now next to the church at Njurunda, is sadly only a fragment. We spent quite a while there, discussing the name on it, because it could be both male or female.

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M 11 stands in the impressive grave field of Högom. As you can see, its edges are broken off, but luckily only to such an extent that almost the entire inscription remains readable.

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These two, M 4 and M 5, are now both found next to the churchyard fence in Attmarby. The smaller stone, now only a fragment, is M 4 – and could be the most northerly Invar-stone (discussing the fatal journey to the east by Ingvar the Far-Travelled) that is currently known.

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M 7, the fragment below, is built into the church wall at Tuna. Our lucky groups of field runologists was treated to some excellent organ music while inspecting the inscription.

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M 8 now stands at Sköle, the Hembygdsgård of Tuna commune. And yes, it has its own little roof. It also demonstrated that not all runestones were carved with equal aesthetic skill.

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These two, M 15 and M 16, now stand next to the church at Skön. Both rune animals’ heads on these are shown in the birds’ eye perspective, which makes these potentially some of the older runestones in the area.

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In addition, a report about the 2019 Gender and Medieval Studies Conference in Durham, which I co-authored with Dr Rebecca Merkelbach has been published in the current issue of Kyngervi Journal. It’s worth checking out the other contributions, too, if you have an interest in Norse culture: Kyngervi Journal

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Reflections on the exhibition

Here is a little guest contribution, reflecting on the exhibition as part of my PhD and what I have learned from it. It’s on the SGSAH Blog where you can also find lots of other interesting contributions, ranging from advice on the PhD process to glimpses of the many other fascinating projects Arts and Humanities PhD students across Scotland are working on.

SGSAH Guest Blog Post

Exhibition ended

Now my temporary exhibition on runes at Orkney Museum is ended, and I spent most of yesterday returning the loaned items to their owners. While that was very sad, I have good news: We have filmed all of the exhibition and at some point it will be made available online. I will post a link here once the virtual display is finished.

In the exhibition, I asked visitors for their suggestions what might be written on the inside of the tiny lead amulet from Quoys which cannot be unfolded without breaking it. Here are two beautiful ideas:

“He who joys and grieves, he wears the amulet the rainbow weaved.”

“From the darkness preserve me”

What do you think?

Where to find Orkney runes … in Edinburgh

As you will have gathered from my previous post, Orkney is amazing. If you are not local and have the chance to travel there, do it! However, getting to Orkney is not easy and can be quite expensive. Therefore, here is a handy guide how to find Orkney runes if you cannot make it to our beautiful archipelago.

In fact, you can find a surprising number of Orcadian runic inscriptions right in the Scottish capital namely in the National Museum of Scotland, Edinburgh. If you are wondering how they got there, this is mostly due to gentlemen with antiquarian interests in the 19th and earlier 20th century who excavated or bought the objects and then donated them to the museum or the Society of Antiquaries of Scotland.

Here is a list of objects which are currently on display (and it’s free entry, too!):

In the “Early People” galleries, you will find a display case on the history of writing. This contains a rune-inscribed steatite spindle whorl from Stromness and bear’s tooth inscribed with “futhark” from the Brough of Birsay (a copy of it is on display in Orkney Museum). P1020396

This is the case you want to be looking for. Not only runes but plenty of other inscribed objects, too

Next to this case, rune-inscribed stones are on display. Among others from the rest of Scotland, there is a stone with two different inscriptions from the Brough of Birsay, a stone with potentially two twig runes from near Brodgar Farm and even a fragment of a Maeshowe inscription – it ended up there after a failed attempt to take a plaster cast of the inscription in the 19th century made the whole thing fall off the tomb wall.

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The rune-inscribed stone from the Brough of Birsay was discovered by Hugh Marwick in 1927

Of course, the museum has a lot more to offer. If you are there, don’t forget to look out for the magnificent Hunterston Brooch, and take special note of the runes on its back. Also worth a visit is for example the amazing Skaill Hoard, the largest Viking silver hoard ever found in Orkney, or the beautiful Lewis Chessmen.

A field trip to Sanday

Now that the Orcadian summer is as good as over, I am back in my office – and lo and behold, I have plenty of nice pictures to share showing my summerly exploits. I might have mentioned this before, but one of the best things about doing a PhD on runes in Orkney is the fieldwork.

Thus, one nice day in early summer, I jumped (or rather dragged my coffee-deprived self) on the early morning boat to Sandy, one of Orkney’s more northerly isles.

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It is an amazingly beautiful place, and, as you might have guessed, its name is derived from Old Norse and simply means “Sand island”. I must say, I have hardly ever seen a place with a more fitting toponym.

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However, I didn’t go there to enjoy the beach (mostly). In fact, Sanday has its very own runestone, or at least a fragment of it, Or 17 from the farm of Little Isegarth (some details can be found in Michael Barnes and Ray Page’s “The Scandinavian Runic Inscriptions of Britain”).

There are very few photos of it, and it is always best to see inscriptions with your own eyes. It is on permanent loan in the Sanday Heritage Centre from Orkney Museum. If you ever have an opportunity to travel to Sandy, you really should include the Centre in your planning, it is certainly worth the trip, and I’m saying that not just because of its runestone.

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It is a very interesting object, and I am glad that I got to examine it. After this, I had a close look at the landscape where it was found. This stone was discovered as part of a collapsed drystone dyke, clearly not its original location, but having seen the surrounding area, I have some ideas where it could have come from (no spoilers, you’ll have to read my PhD if you want to know more).

And in the end, my day of successful fieldwork in Sanday culminated in this view from the boat back to Kirkwall:

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Big thanks go to Emma Neave-Webb, the Sanday ranger, for arranging my visit and showing me around, and to Sanday Heritage Centre for making it possible for me to examine the inscription.

Upcoming conferences

This blog has been a bit quiet lately, and the reason is that there is not just one, no there are two upcoming conferences in the next weeks.

If you want to hear me talk about “Rune-carving in Caithness: Now and Then”, I’d recommend the Scottish Society for Northern Studies residential conference in Thurso from 11 – 14th April. Here is the programme.

In the very next week, we will have the 4th International St Magnus Conference at my home institution, the Institute for Northern Studies in Kirkwall. If you come along, you can admire (or criticise?) my poster on “Women and runes in Orkney”. Here is more information about this conference. Has there ever been a better excuse for a trip to beautiful Orkney?